Convergence
My piano design for Sing for Hope, titled The Convergence, is a vibrant fusion of contemporary abstraction and African visual traditions, celebrating music as a universal language of hope, healing, and connection. Drawing from African patterns, symbols, and rhythmic line work, the surface of the piano becomes a living composition, alive with movement, color, and sound. Flowing lines weave across the piano's form, abstracting figures that sing, dance, and play musical instruments. These figures are not fixed or literal; instead, they emerge through fluid gestures and layered patterns, reflecting the shared energy of music in motion. The lines move like melodies, rising and falling, echoing the rhythm of song and the improvisational nature of performance. Bold, expressive colors amplify this sense of joy and resilience, inviting passersby to pause, engage, and feel. African patterns serve as both visual anchors and storytelling elements, representing heritage, community, and collective memory. In many African cultures, music and art are inseparable from daily life, they are tools for communication, celebration, and survival. By integrating these patterns into a modern, abstract language, I aim to bridge tradition and contemporary expression, honoring the past while speaking to the present. When placed in a public space, this piano becomes more than an instrument; it becomes a gathering point. It invites people of all backgrounds to interact, play, listen, and connect. Through color, movement, and rhythm, The Convergence embodies the spirit of Sing for Hope: using art and music to inspire unity, joy, and possibility in shared spaces.
Details
- Venue
- Williamsbridge Oval
- Access
- Public
- Type
- Unknown
- Location
- New York City, United States
- Confidence
- High (90%)
Location
40.87664, -73.87875
Programs
Sources